We’re back with another film profile, and since we’re smack in the middle of a series on home-developing black-and-white film we’ve decided to spotlight, you guessed it, a black-and-white film. But we won’t be messing about with chromogenic, desensitized C-41 film (sorry Kodak BW400CN and Ilford XP2). No, no, there will be no pretenders today. Today we’re shooting true black-and-white.
While we could’ve easily extolled the many virtues of Tri-X and HP5, or the grainless wonders of T-Max and FP4, we wanted to talk about something a little less obvious. Instead of visiting the familiar factories at Rochester or Sunderland, we’ll be taking a trip to the Czech Republic. We’ll shoot black-and-white the way they do it in Prague, and see if the continental Europeans are onto something.
Today we’re examining Foma’s Fomapan Creative 200. This oft-overlooked film remains one of the finest black-and-white films currently available on the market. And while it may not be for everyone, its many virtues will have certain photogs falling in love.